Archive for Music Business
I am a junkie for news about the music business. Which band is getting signed? What executive is being hired or canned? Which labels are gobbling up the little guys and even other majors? We deliver all of that to you in the Music Business News category.
Great Production Tips from the Universal Audio web site. Having a boatload of UA plugins myself I should review this page more often.
Posted by Craig Anderton on October 18, 2012 3:20:58 PM PDTIntel’s new high-speed serial protocol provides ultra-fast data transfers for audio and video data streams. Read on to learn more about this groundbreaking technology and the potential it holds for studio workflow improvements, data transfer, and more.
Posted by Bobby Owsinski on July 10, 2012 11:45:30 AM PDT
It’s time to mix, so let’s start to move some faders! Well, maybe not right away. If we really want a mix to go quickly and smoothly, there’s some preparation that needs to be done beforehand. Here's a look at the technical prep, session prep, and personal prep needed before diving into your latest mixing session.
Posted by Daniel Keller on May 18, 2012 3:53:08 PM PDT
While you’ve been working hard and paying attention to the songs, the parts, the sounds, and all the other big-picture stuff, maybe something’s just ever so slightly out of tune. Tuning is one of the little things that can end up making a huge difference in the final quality of your recordings, so here are some final things to listen for before you start your first take.
I pulled this list from an article on Fast Company online. It was written by Don Peppers, the author of Extreme Trust: Honesty as a Competitive Advantage
In it Don writes:
"If you want to generate more innovative ideas, then you should purposely expose your mind to radically different facts and unusual, often conflicting concepts."
This is great advice for musicians stuck in a creative rut. Try some of the Don's ideas on the list and let me know if they worked for you by commenting below.
- Move to a different apartment, or a different office location, or a different job. Change your environment, for no reason other than to make the change.
- Drive a different route to work or school, or to church, or to the club. Take a long cut, on purpose.
- Spend 30 minutes a day for two or three weeks with a language course from Pimsleur or Rosetta Stone in order to learn how to ask directions and order food in a new language.
- Brainstorm different ways to use a common tool (like a hammer, or a Phillips screwdriver).
- Go on a physical-fitness campaign. Work out until you break a sweat at least one time every day. Seriously. Every single day.
- Memorize something useless but ambitious, like pi to 100 digits, or the names of all the major chess openings, or all the U.S. vice presidents and the presidents they served.
- Meet one new person a day for a whole month. Talk to them, converse with them, get to know them. Talk with each of them frequently in subsequent days. You can easily do this online.
You can read the entire article over at Fast Company magazine.
I read this article on a new music learning service/site called Chromatik. It tell of the advent of sheet music and how music in the days when Tin Pan Alley thrived was all about the song and not so much about the performance. I think you'll find it interesting.
The advent of sheet music as a viable business didn’t really take on until 1880 with the rise of Tin Pan Alley. Originally Tin Pan Alley only referred to a specific building on W. 28th and 5th Ave. in New York City, but eventually it came to represent an entire period of popular music dominated by music publishers and songwriters.
Since the early Renaissance-era manuscripts of monophonic chants, sheet music has been around in one form or another. As the printing press made waves in the 15th century people sought to print music, but it was not easy at first. The first recorded printed book to include music, the “Mainz psalter,” (~1457) had to have the musical notation hand-written in. Yet as technology advanced throughout the centuries and songwriters eventually came together into a de facto publishing house, Tin Pan Alley came to represent an industry that was growing exponentially. Within the first ten years of the 20th century songwriters and publishers were churning out upwards of 25,000 popular songs per year, the highest production of popular music ever.
Singer/Songwriter Ralph Murphy shares his insight and experiences from his 30+ years of being in the music "business". This is a fantastic lecture that took place at Layola University. He stresses over and over about how this is a business.
He also stresses that all artists need to know how to craft a song so that it appeals to your audience/fans. If you can keep you fans entertained and wanting more then you will remain in the business and potentially make a pretty good living. If you neglect the basics of songwriting you will more than likely not be in the business for very long.
Below are a couple of gems I picker out as points to remember for up and coming artists like yourselves.
"What brings you to a song 100% of the time is melody. What keeps you there is lyric."
"For you artist or singer songwriter a song is not a song, a song is a linear lyrical conversation between you and every single person in that room."
"Music is the underpinning of society."
"The three things you ask yourself when you're finished with your work are, what's in it for the listener? What's in it for the listener? What's in it for the listener? If there's nothing in it for the listener you're wasting your time."
This is a great question by Steve Guttenberg, CNET Blog Network author. He asked...
What's the best-sounding record you ever heard?
This might be a tough question for a lot of people: defining what good sound is, and separating sound from music isn't easy.
It might be impossible to distill it to just one album or song. We tend to like the sound of music we like, and conflate good sound with good music.
That's understandable, but when the sound jumps out and draws your attention, take, for example, the sound of Jimi Hendrix's feedback. It was Hendrix's distortion, not his songs, that forever changed the sound of electric guitars.
Paul McCartney said it was the sound of the Beach Boys' "Pet Sounds" album that inspired the Beatles to radically change their sound and make "Sgt. Pepper's Lonely Hearts Club Band."