In an article by Bobby Owsinski about his favorite EQ he mentions that he uses a Massive Passive on vocals. He said "This is my go-to plugin for vocals. It can add sparkle and heft to a vocal done even on an SM58 in a way that few others can. It's perfect for carving out space in the mix for a track." Using the Massive Passive on vocals seems a little overkill to me, but Bobby knows what he's doing so I'll certainly have to give this a try.
I saw this questions on Quora,
"How much research has gone into developing the Facebook ping sound?"
I thought it was an interesting question because I have never really given it much thought. T...Read More »
An Ozone fan on Gearslutz.com nominated Ozone the best vocal channel strip for some type of award or another. Honestly I don't recall, but yes! That's a great idea!
Instead of trying get a great sound with five different plugins I'm going to start using Ozone on vocals in my mixes. It has it all - eq, reverb, compressor, limiter, exciter, imaging, etc. Makes sense to me.
It's so simple (meaning complete) it just might work!
But what do you think? I'd love to hear your tips and tricks on using Ozone in your mixes.
If you have a special way you use Ozone please leave it a comment in the box below.
Posted by Craig Anderton on October 18, 2012 3:20:58 PM PDT
Intel’s new high-speed serial protocol provides ultra-fast data transfers for audio and video data streams. Read on to learn more about this groundbreaking technology and the potential it holds for studio workflow improvements, data transfer, and more.
Posted by Bobby Owsinski on July 10, 2012 11:45:30 AM PDT
It’s time to mix, so let’s start to move some faders! Well, maybe not right away. If we really want a mix to go quickly and smoothly, there’s some preparation that needs to be done beforehand. Here's a look at the technical prep, session prep, and personal prep needed before diving into your latest mixing session.
Posted by Daniel Keller on May 18, 2012 3:53:08 PM PDT
While you’ve been working hard and paying attention to the songs, the parts, the sounds, and all the other big-picture stuff, maybe something’s just ever so slightly out of tune. Tuning is one of the little things that can end up making a huge difference in the final quality of your recordings, so here are some final things to listen for before you start your first take.
“Plosives” can make or break the recording. Even with a pop filter, they still have a tendency to sneak their way in! There's a letter in the alphabet that puts fear in the hearts of home recording engineers ...P! The other is B to a lesser extent.
In this article, I'll show you two ways to remove them without simply stripping away the lows with a high pass filter. I've included a vocal sample so you can experiment with it, or just load up a track you know that has them. If you'll be listening to these samples through an iPad or mobile phone speaker, you most likely will not hear the difference between the samples. Plosives are almost always in the low frequency range, and most of these devices built-in speakers can't replicate frequencies low enough. Use headphones.
Darren uses these two methods to clean up loud pops.