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Manley Massive Passive as a vocal EQ?

In an article by Bobby Owsinski about his favorite EQ he mentions that he uses a Massive Passive on vocals. He said "This is my go-to plugin for vocals. It can add sparkle and heft to a vocal done even on an SM58 in a way that few others can. It's perfect for carving out space in the mix for a track." Using the Massive Passive on vocals seems a little overkill to me, but Bobby knows what he's doing so I'll certainly have to give this a try.

UA Manley Massive Passive plugin

Figure out the direction of the song – Manny Marroquin

Here are four simple yet very effective tips from mix engineer Manny Marroquin

  • Develop the groove and build it like a house.
  • Find the most important element and emphasize it.
  • Use some distortion on vocals and use a send and ride the returns to add character throughout the song.
  • During different sections of the song alternate using different compressors across the mix bus.

Ozone makes for a great vocal channel strip

An Ozone fan on Gearslutz.com nominated Ozone the best vocal channel strip for some type of award or another. Honestly I don't recall, but yes! That's a great idea!

Instead of trying get a great sound with five different plugins I'm going to start using Ozone on vocals in my mixes. It has it all - eq, reverb, compressor, limiter, exciter, imaging, etc. Makes sense to me.

It's so simple (meaning complete) it just might work!

But what do you think? I'd love to hear your tips and tricks on using Ozone in your mixes.

If you have a special way you use Ozone please leave it a comment in the box below.

Studio Basics From The Universal Audio Web Site

Great Production Tips from the Universal Audio web site. Having a boatload of UA plugins myself I should review this page more often.

Thunderbolt Explained — What Does it Mean For Your Studio?

Posted by Craig Anderton on October 18, 2012 3:20:58 PM PDT
Intel’s new high-speed serial protocol provides ultra-fast data transfers for audio and video data streams. Read on to learn more about this groundbreaking technology and the potential it holds for studio workflow improvements, data transfer, and more.

Ready, Set, Mix! Tips for Prepping Your Mixing Session

Posted by Bobby Owsinski on July 10, 2012 11:45:30 AM PDT

It’s time to mix, so let’s start to move some faders! Well, maybe not right away. If we really want a mix to go quickly and smoothly, there’s some preparation that needs to be done beforehand. Here's a look at the technical prep, session prep, and personal prep needed before diving into your latest mixing session.

Instrument Tuning Tips for Better Recordings

Posted by Daniel Keller on May 18, 2012 3:53:08 PM PDT

While you’ve been working hard and paying attention to the songs, the parts, the sounds, and all the other big-picture stuff, maybe something’s just ever so slightly out of tune. Tuning is one of the little things that can end up making a huge difference in the final quality of your recordings, so here are some final things to listen for before you start your first take.

Purging Plosives in your vocals.

From Darren Burgos at MacPro Video.

 “Plosives”  can make or break the recording. Even with a pop filter, they still have a tendency to sneak their way in! There's a letter in the alphabet that puts fear in the hearts of home recording engineers ...P! The other is B to a lesser extent. 

In this article, I'll show you two ways to remove them without simply stripping away the lows with a high pass filter. I've included a vocal sample so you can experiment with it, or just load up a track you know that has them. If you'll be listening to these samples through an iPad or mobile phone speaker, you most likely will not hear the difference between the samples. Plosives are almost always in the low frequency range, and most of these devices built-in speakers can't replicate frequencies low enough. Use headphones.

Darren uses these two methods to clean up loud pops.

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